Monday, May 20
SomeSurprises | Deno | Katie Lass and Kevin McKay
Doors 7:30 pm, $10

somesurprises is the brainchild of Seattle-based songwriter and guitarist Natasha El-Sergany. Once a bedroom project focused on spectral balladry and late-night exploration, somesurprises is now a dynamic four-piece live band. Motorik beats, reverb-drenched vocals, washes of fingerpicked guitars, and hazy synths expand El-Sergany’s delicate and blissful songwriting.






Thursday, May 23
Kenny Washington
presented by Joan Belgrave
7:30 Doors

Kenny Washington has thrilled audiences across the globe with his soulful interpretations, seemingly limitless range, and inventive scatting. Based in the San Francisco Bay Area, Washington appeared in 2013 with Wynton Marsalis and The Jazz At Lincoln Center Orchestra to perform Blood On The Fields, alongside vocalists Gregory Porter and Paula West. He returned in 2014 for Basie & The Blues with pianist Eric Reed and again in 2016 to celebrate Frank Sinatra’s 100th birthday. In 2017, Washington performed with Wynton Marsalis and The Jazz At Lincoln Center Orchestra alongside Roberta Gambarini, to celebrate Ella Fitzgerald’s 100th birthday.

Born and raised in New Orleans, Washington grew up singing gospel in church and playing saxophone in school bands. Jazz caught his interest when the great clarinetist Alvin Batiste performed at his high school with a band of students that included two precocious, talented teenage brothers named Branford and Wynton Marsalis. Inspired, Washington went on to study music at Xavier University, playing saxophone and singing in a variety of styles.

Washington continues to appears nationally and internationally with The Joe Locke Group as well as maintain a busy schedule of solo national and international appearances.

Kenny Washington - Vocals
Bill Meyer - Piano
Jaribu Shahid - Bass
Leonard Chapital - Drums
Joan Belgrave - Vocals



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Friday, June 7
Gwenifer Raymond
Doors 7:30 pm


Gwenifer Raymond began playing guitar at the age of eight shortly after having been first exposed to punk and grunge. After years of playing around the Welsh valleys in various punk outfits she began listening more to pre-war blues musicians as well as Appalachian folk players, eventually leading into the guitar players of the American Primitive genre.

She released her sophomore LP ‘Strange Lights Over Garth Mountain’ at the end of 2020 to a rapturous response. Her debut ‘You Never Were Much Of A Dancer’ emerged on Tompkins Square to the same response in 2018. She has found herself equally embraced by fans of old-west and equally, by left field/experimental audiences. 

Appearances throughout the UK and the EU have established her as one of the leading lights of the scene, and not to be missed under any circumstances.





Monday, July 22
Beings
Doors 7:30pm

Beings is the New York City-based supergroup quartet of Zoh Amba (saxophone, guitar, vocals), Steve Gunn (guitars), Shahzad Ismaily (bass, synth), and Jim White (drums). From the start, the quartet found a rare spark together, the music flows naturally as an ever-transformin organism built on the quartet’s openness and willingness to explore together. Each musician brings their own sensibility and distinctive voice to the music, which contributes to its fluidity and singularity. They explore a variety of styles: structured songwriting, improvisation, spun out drone, free jazz etc. They have their first album out on the US label No Quarter summer 2024.



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Trinosophes Projects is a 501(c)3 non-profit organization in the state of Michigan that supports live programming, exhibitions, research and publishing. We are an independent, artist-operated entity located in the city of Detroit. Contributed and earned income goes directly into the hands of the artists we work with, so if you appreciate our efforts, consider making a donation to support our ongoing mission. Click here for a Paypal link. 

How does your support help? Your donations go directly to our programming, publishing, media manufacturing, archival work, artist commissioning, project collaborations and regranting in the form of artist prizes, awards and emergency assitance. While we prefer to operate mostly anonymously and we’re always hesitant to ask for financial support, we recognize that now more than ever our work is important to the cultral health of our community, both through supporting, highlighting and perserving our region’s cultural legacy and by keeping it in dialogue with devlopments in the rest of the country and the world.